

The book contains 120 licks and continues where volume 1 ended. This volume is set up exactly like the first volume. If you enjoyed playing through the first volume of Hip Licks for Saxophone, you will enjoy working through the second volume just as much. I have been working through the book and have thus far transcribed five of the 150+ licks in all twelve keys to see how they sound over various chords.įind Hip Licks for Saxophone on Hip Licks For Saxophone Vol. Greg has over 150 licks in this book from major, dominant 7th, minor, V7b9, whole tone diminished 7th, mi7b5, and many more. In fact, there is a rhythm section track that has ii-V’s in all 12 keys that you can use to practice your favorite lick transposed. For example, on the first track Greg shows you licks you can play over ii-V’s and has one lick for each of the twelve keys. The set is great for practicing transposition as well. Then on another track, he just has the rhythm section so you can give the licks a try in real-time.Īlso, Greg has the rhythm section transposing when switching from the alto CD to the tenor CD to accommodate the range of the saxophone so that the lick still sounds hip.īesides just playing through the written licks, you have the ability to try your own licks out and see how they fit over the various progressions played by the recorded rhythm section. What I really enjoyed about this book was Greg’s format of recording a lick once on one track, just to familiarize yourself with the phrasing, articulation, sound, and overall approach.

The first CD is the slower tempo version and the second CD is the faster tempo version. Two of them are for tenor saxophone and the other two are for alto saxophone. So if you're willing to do something you've never done so you can have something you've never had - click below to learn more about Adam's popular, game-changing course and start turbo-charging your playint - today. Instead of blindly running scales or reading out of an exercise book, Adam takes you through a method similar to that of Brecker and other masters, where it's all about increasing the speed of not only your fingers, but your mind, and most importantly, your ears. Luckily, there is, indeed, a clear path to developing those head-turning chops while at the same time adding original modern vocabulary to your improv "vocabulary", and renowned sax recording artist and educator Adam Larson's course, 𝘓𝘪𝘨𝘩𝘵𝘯𝘪𝘯𝘨-𝘍𝘢𝘴𝘵 𝘢𝘯𝘥 𝘊𝘳𝘺𝘴𝘵𝘢𝘭-𝘊𝘭𝘦𝘢𝘯 is a "one-stop shopping" destination to get you there. You know that adrenaline you get from hearing a saxophonist tearing through super-hip lines with incredible clarity and a rock-solid time feel? Now, obviously, there's a lot more that goes into great sax playing than just playing a bunch of fast notes, but without solid technical skills, your playing is going to lack a critical dimension when it comes to exciting your listeners.
